The Hoo-Hoo Connection
Dear Singers,
Lately, my students have been hearing a lot about what I call “the hoo-hoo connection” (it has a jingle, but you have to take a lesson to hear that!). Is this a sisterhood of some sort? Sort of – it has to do with the secret to breathing well for singing.
You may have heard that breath support is everything in singing. Or maybe you haven’t - but it IS. Breath management determines not only how long you can hold a note or phrase, but the healthy function of your larynx (or voice-box) and whether a sound is stage-worthy, loud or soft enough, exciting and hopefully beautiful.
What I call the “hoo-hoo connection” is the bottom line (pun intended) for coordinating our breath support: it’s the engagement we use in the pelvic floor, which is a term for the muscles at the base of the pelvis which are essential to good/healthy/easy/transcendent singing. Anatomically, we’re talking about the pubococcygeus muscle, which runs like a sling from the pubic bone to the coccyx (tail bone). This muscle is used for a lot of things, but the action for breathing/supporting is much more subtle than the downward push that happens in the “powder room”. For singers, gently engaging this muscle helps to stabilize your breath support and get control of your air. If you still can't picture where the muscle is, just google the term and believe me you will get a lot of information.
Link to Five Tips for Locating the Pelvic Floor in Singing
I was in denial for a long time that this PCG muscle was really important, possibly because as a young singer/teacher I didn’t want to touch on the topic, so to speak??! Really, must the singing voice inhabit the same playpen with muscles of reproduction, sex and the excretory system? Really!? But it is so. All the parts of the body we use for singing are adjacent (or in) vital systems and vital organs.
My 13+ years as a voice teacher have made me a convert to the view that “the hoo-hoo connection” reigns supreme…
I’ll paraphrase Kristen Chenoweth, the impeccable singer and “good witch” of musical theater. When asked how she could sing so well in an interview, she made a strong impression on my students when she said something to the effect of ‘Honey, you have to sing from your hoo-hoo!’ Likewise, I paraphrase the incomparable 20th century goddess of opera, Montserrat Caballe who famously responded to a similar question with: ‘I sing deeper than most people like to talk about.’ Today, I actually think that how much singing gets us IN our bodies in a visceral if not uncomfortable way is the main reason that it is the most exciting and touching way humans can make music. You can’t get away from your voice. It’s all of you.
While I love teaching women, the power of this is not just for the fairer sex. Darling baritones and tenors, you have pelvic floors too and can and will learn how to use them if you want to sing well!
Dr. Anthony Jahn is a respected, popular and well published laryngologist (Ear, Nose and Throat doctor specializing in the larynx). You might want to read his discussion of how the pelvic floor relates to breathing http://voicecouncil.com/support-your-voice-iii-breathing-again. I think this article is full of excellent information. AND I am 100% sure that you cannot learn singing from printed material. You have to take lessons. Then you have to practice…take more lessons…practice and PERFORM. Repeat.
To that end and to get you ready for fall auditions, tell me you read this article and you can have 20% off lessons you book with me for the following 4 weeks, including lessons packages.
Keep singing!
Siobhan
siobhankolkervoicestudio@gmail.com
Kristen Chenoweth, hooked up: